Liverpool, Our Lady’s Bishop Eton School
Thanks so much to Our Lady’s Bishop Eton School and music teacher Leighton Jones for inviting me into school this Summer! I loved meeting everyone and hearing the children sing at their special assembly with the whole school and staff in June 2018. It was fantastic to hear all about the music they are making together, the music activities happening during school-time and in after-school groups and trips to see performances. I was so inspired and encouraged to speak to so many of the pupils who were really enthusiastic in sharing with me that they are learning instruments and enjoying making their music making – With so much credit going to to the teachers and parents that help, support and encourage the children in doing this!
I love visiting schools and especially making music and speaking with the children; Pop, Opera and Disney songs – anything and everything – music is music and it all brings so much joy. It is amazing to know it can take just a moment to connect with the music, the words, the sound, the performance, the person, the heart and soul of it all – and that moment can open up a whole world of music that literally changes lives.
I remember finding loads of subjects and exams a big struggle at school – it wasn’t until I found music that I really felt like there was a subject I could enjoy and throw my heart and soul into. Performing helped me to build my confidence and eventually being guided through a structure of how to practise music taught me so much about the joy of learning and the reward of overcoming obstacles. Music and the people who supported me in pursuing this gave me the boost I needed to make more progress in my other lessons and activities at school. Looking back on it now – I was lost without music and I know there will be other children out there feeling the same. Sharing the importance of valuing music and participating in creative subjects at any age – but especially during crucial stages of childrens’ development means so much to me.
It is so rewarding to be able to provide support wherever I can to help people and organisations in making music an essential part of a curriculum and recognising its benefits as a core part of society.
There is everything to be gained from giving children the opportunity to discover, make and explore music more often together.
It’s awesome when you see the difference a dedication to sharing music together can make over years or just in one moment. I met a pupil from a Reception class who the teachers explained to me was really shy and didn’t usually speak at all or participate in anything – After hearing me singing with my ‘big voice’ and talking about being in operas – the pupil came over to me to sing to me some of their very own ‘opera notes!’ 🙂 …Watch this space!
Thanks to them all – days like these and meeting incredible staff and students are so rewarding and keep teaching me so much more about music and the positive impact it have in our life than I could have ever imagined.
ELGAR, CANTERBURY CATHEDRAL
I feel really lucky to have performed Elgar’s wonderful ‘Dream of Gerontius’ in two magnicent historical chapels this year. Performing ‘Gerontius’ in Cambridge had been so memorable and I had to pinch myself again during the rehearsals in Canterbury Cathedral as I looked at the beautiful architecture all around me!
(The beautiful glass installation is by artists Philip Baldwin and Monica Guggisberg and is called ‘Under an Equal Sky’ – It is mould blown glass and steel blown – one hundred clear glass amphorae suspended in the shape of a ship in the Cathedral‘s Nave – each one represents a year of remembrance since 1918 in the shape of a ’Boat of Remembrance.’)
I had last spent time in Canterbury during my first year as a professional singer in 2012 touring with an opera for Glyndebourne in their production of Mozart’s ‘The Marriage of Figaro’. I had been able to explore the beautiful town then and visted the Cathedral… I could never have dreamed I’d be singing Elgar’s Angel there! On 23rd June 2018 I performed with Andrew Staples (tenor) as Gerontius and Edward Grint (bass baritone) conducted by Richard Cook with the Philharmonic Orchestra and Canterbury Choral Society and Youth Choir.
Canterbury choral society as been led by their music director Richard Cooke since 1984 and the Canterbury Society Youth Choir was formed in 2007 and provides an amazing platform for young people – The Society performs four major concerts and hosts Family Carols at Christmas in Canterbury Cathedral every year. Canterbury Festival has invited Canterbury Choral Society to perform a major concert each year since the Festival’s launch in 1984. Find out more at their website
The Dream of Gerontius Op.38 was composed by Sir Edward Elgar in 1900 is a work for voices and orchestra in two parts. Elgar has gifted us the most magnificent and moving musical setting to the text of the poem by John Henry Newman – It’s a work that is literally ‘out of this world’ – and I love singing the part of the Angel!
A little bit of history about Canterbury Cathedral…
The Cathedral houses a Romanesque crypt dating back to the 11th century, a 12th century early Gothic Quire and a 14th century Perpendicular Nave. The beautiful medieval stained glass windows illustrate royal connections, bible stories and miracles and stories associated with Thomas Becket.
I stayed within the grounds of the Cathedral and it was such a stunning setting particularly as the cathedral is illuminated during the evening. It was great to be able to wander around the lovely gardens and cloisters when general visiting was over and everything was so peaceful.
St Augustine, the first Archbishop of Canterbury, arrived on the coast of Kent as a missionary to England in 597AD. He came from Rome, sent by Pope Gregory the Great. He established his seat within the Roman city walls (the word cathedral is derived from the the Latin word for a chair ‘cathedra’, which is itself taken from the Greek ‘kathedra’ meaning seat.) and built the first cathedral there, becoming the first Archbishop of Canterbury.
Canterbury’s role as one of the world’s most important pilgrimage centres in Europe is inextricably linked to the murder of its most famous Archbishop, Thomas Becket, in 1170. When, after a long lasting dispute, King Henry II is said to have exclaimed “Who will rid me of this turbulent priest?”, four knights set off for Canterbury and murdered Thomas in his own cathedral. A sword stroke was so violent that it sliced the crown off his skull and shattered the blade’s tip on the pavement. The murder took place in what is now known as The Martyrdom. When shortly afterwards, miracles were said to take place, Canterbury became one of Europe’s most important pilgrimage centres.
2020 marks an important dual anniversary for the extraordinary figure of Thomas Becket. It will be 850 years since his dramatic murder on 29th December 1170 in Canterbury Cathedral, and 800 years since his body was moved on 7 July 1220 from a tomb in the Cathedral’s Crypt into a glittering shrine. The events of 1220 were orchestrated to relaunch the cult of Becket, and ensured that Canterbury became the principal pilgrimage destination in England and one of the major pilgrimage sites within Europe.