MOZART’S “LA CLEMENZA DI TITO” – RNCM

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MOZART’S “LA CLEMENZA DI TITO”

ROYAL NORTHERN COLLEGE OF MUSIC 2010

Kathryn Rudge made the smaller role of Annio seem twice as important as usual, and she, too, looked, walked and ran like a boy. There is precious talent here: not only her voice, which is fluent and seems to be comfortable as well as beautiful in any register, but also her acting, which is natural and spontaneous. Her diction is immaculate.

Opera Magazine – Michael Kennedy

 

“In La Clemenza di Tito she made the role of Annio the coeval of that of Sesto, both being sung by mezzo-sopranos en travesti and where the former is often seen as the lesser role.

Seen and Heard Opera Review – Robert J Farr

Copyright ©Kathryn Rudge 2019